Refyujee Brand


  A girl in a white gown. We don’t see her face. On the bride’s right side stands another girl pinning her hair. Another pair of hands: one hand reaches out while the other holds the tip of the bride’s hair. In their midst there is an ordinary guy, probably in his forties, holding the back zipper of the dress. The closest character is indistinct; she, too, is wearing a white gown. We see her brown hair lock, her hands, and the white gown. This looks like an ordinary picture taken minutes before a wedding.   This picture circulated in western and Arab... more
#refugees  # The image  # Doha Hassan  ...

“Umbilical Cord”, a film by Doha Hassan


  A year ago my head began to reject my hair, like those places in which I’ve lived, the countries that rejected me. Land after land, one place after another: Palestine, Syria, and now, Lebanon—those countries that have failed and have burdened me with their failure.   The Gulf War, the family’s constant sundering. Palestine, Syria, Lebanon, and Berlin: parts of myself scattered across all these places. My memory, riddled with holes. My present and my death.   In Umbilical Cord I assemble an archive of my family in Kuwait: my dead memory of family. I embark on a quest for the unknown part of... more
#Memory  # Exile  # Palestine  ...