Aylan and Omran, or the How the Age of their Image Ended
In black and white, the man in the picture clutches the truck window. He is charred. For some reason, the flames could not entirely erase his features, so it looks as though he is grinding his teeth, attempting to escape the burning vehicle. But fire was quicker and stronger, confining him as he wrestled with death until the last breath.
The man is an Iraqi soldier whose picture was taken on what is known as the Highway of Death, the road that connects Northern Kuwait to Southern Iraq. This is where, in the 1991 Gulf War, the Allied Forces stroke an... more
“The icon of the Syrian diaspora: On the picture of the drowned child, Aylan
In the digital information age, examining this image (which constituted a major humanitarian event the minute it was released) is an attempt to analyse the image’s relationship with the social reality of a given group of people, with political events, and to understand the potential trajectories of the image within the media, while avoiding the dictates of the fast news cycle and the emotionalism of immediate response. The photograph of Aylan, the drowned child, was first released on September 2 and it continues to appear in various contexts. The latest issue of the Islamic State’s Dabiq magazine, which is also... more